Disgraced hedge-fund manager Andrew “Coop” Cooper (Jon Hamm) loses his job, marriage, and identity. Under financial strain and isolation, he begins burgling wealthy neighbors, stealing luxury goods, to maintain appearances. The tension crescendos when he’s implicated in the murder of Paul Levitt

nitially framed by incriminating evidence (gun in his car, false clues), Coop, with housekeeper-turned-partner Elena (Aimee Carrero), uncovers that Paul’s wife Sam (Olivia Munn) staged the murder to secure insurance money. She narrates her backstory in a pivotal perspective switch, revealing existential loneliness behind her actions.

Cleared of charges, Coop is courted back by his former firm, leveraging his new assertiveness, born of criminal life, to negotiate a high-stakes deal. He attends a gala, dances with his ex Mel (Amanda Peet), but ultimately chooses revenge: skipping the corporate plane trip and stealing a painting from his ex‑boss’s house . The season closes with Coop figuratively and literally driving away from a conventional life, embracing his darker evolution.

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Picking up two months after the events of Dead Reckoning Part One, the world is teetering on the brink. The malevolent, self-aware AI known as "the Entity" is continuing its silent conquest, seizing control of global nuclear systems and pushing humanity toward annihilation.

Aided by a shadowy doomsday cult, the Entity's power grows unchecked.

Ethan Hunt (Tom Cruise), now a man operating completely outside the system, refuses to surrender the two-part key to the Entity's source code. His mission remains the same: destroy the AI, not control it. He reunites with his trusted IMF hacker, Luther Stickell (Ving Rhames), who has developed a "Poison Pill", a malware capable of killing the Entity. The team is bolstered by the thief Grace (Hayley Atwell), the redeemed assassin Paris (Pom Klementieff), and intelligence agent Theo Degas (Shea Whigham).

Audience scores are generally positive, though some viewers have found the plot, with its numerous callbacks and retcons, to be convoluted and "messy." The film's long runtime and somber tone have also been points of contention for some who prefer the more straightforward thrills of previous installments. Despite this, the consensus is that the film delivers on the promise of unparalleled action and a worthy conclusion to Ethan Hunt's journey.

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The world of Formula 1, with its blend of high-speed thrills, cutting-edge technology, and intense human drama, is notoriously difficult to capture on screen.

Yet, director Joseph Kosinski, known for his work on "Top Gun: Maverick," is set to deliver a film that promises to immerse audiences in the heart of the action. Starring Brad Pitt, the unofficially titled "F1" is a story of redemption, rivalry, and the relentless pursuit of glory.

F1 introduces us to Sonny Hayes (Brad Pitt), a once-promising F1 driver from the 1990s whose career was cut short by a horrific crash. Now, years later, he's a racer-for-hire, living a nomadic life far from the glitz and glamour of Formula 1. His life takes an unexpected turn when he's approached by his former teammate, Rubén Cervantes (Javier Bardem), now the owner of the struggling APXGP F1 team. APXGP is at the bottom of the Constructors' Championship, and its investors are threatening to sell unless the team can achieve a podium finish.

Sonny is brought in to mentor the team's talented but arrogant young driver, Joshua 'Noah' Pearce (Damson Idris). The two initially clash, with Sonny's old-school methods conflicting with Joshua's modern, simulator-focused approach. Their rivalry intensifies on the track, leading to a collision at the British Grand Prix. However, they begin to find common ground in Hungary, where Sonny uses his cunning and experience to help Joshua score the team's first-ever points.

First reviews have been compiled, and the sentiment is strong. Critics are praising the film as a "turbo-charged Dad Movie par excellence" and a thrilling blockbuster. The racing sequences, cinematography, and the performances of Pitt and Idris are being highlighted as major strengths. Many are comparing it favorably to "Top Gun: Maverick," noting its exhilarating action and emotional core.

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Mountainhead gathers four billionaire friends, self-dubbed the "Brewsters," for a weekend retreat at "Mountainhead," the absurdly lavish and remote mountain home of Hugo "Souper" Van Yalk (Jason Schwartzman).

The timing is… inconvenient. The world is convulsing in chaos, fueled by a tsunami of AI-generated disinformation and deepfakes propagated by a new feature on Traam, the world-dominant social media platform owned by Venis "Ven" Parish (Cory Michael Smith), the richest man on Earth.

Each man arrives with a hidden agenda. Ven, facing global condemnation, wants to acquire Bilter, a sophisticated fact-checking AI company owned by fellow Brewster Jeff Abredazi (Ramy Youssef), to clean up his mess without admitting fault. 

Critics have largely praised the film, awarding it a "Certified Fresh" score of 79%. They've lauded Armstrong's biting script, the stellar performances, and its timely, savage satire. The Associated Press called it a fun look at how "behavior spills into geopolitical events.

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